Friday, 13 November 2015

Vibration Study

Oil painting of several trees viewed beyond the horizon line in front of a pink-grey sky.

Recently I've read a series of lectures given in the first decade of the twentieth century by L. Birge Harrison (whose wonderful tonal work I discovered through the Google Art Project), and in one particular section he mentioned the use of broken complimentary colours of equal value (tone) in order to render atmospheric vibrations.  This was a quick Friday morning experiment in said methods using an imaginary landscape (which is a thinly disguised version of the Royal Park native grassland circle) and is accompanied by an imaginary pun.

Oil on canvas board, 5" x 7"

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