To truly paint something you have to get into the mind of the object; therefore, if you think like a stone(ware), it's a piece of pith.
Oil on canvas board, 12" x 16"
Daily painting exercises in tonal realism since February 2013; adorned with terrible puns since 2014.
To truly paint something you have to get into the mind of the object; therefore, if you think like a stone(ware), it's a piece of pith.
Oil on canvas board, 12" x 16"
I've painted this small copper jug many, many times, which reminds me of the old saying, little and often fills the persimmon.
Oil on canvas board, 6" x 4"
Oil on canvas board, 8" x 10"
Not much to offer in the way of a pun I'm afraid, just this lane excuse for word play.
Oil on canvas board, 12" x 16"
Bananas contain high levels of tryptophan which can apparently help with a small case of the blues.
Oil on canvas board, 12" x 16"
This natural light painting was a bit of a challenge -- I had to find a compromise somewhere between painting the light falling on the pumpkin and maintaining the bright orange colour. I'm not sure it quite worked, but I wonder if I should have stuck at it until midnight when it might have turned into a pumpkin all by itself.
Oil on canvas board, 16" x 20"
These tomatoes were grown in my vegetable garden and are, by definition, the most organic element in this painting. They appear to be snuggling up to the Peacock bottle, leading me to conclude that nature adores a vacuum.
Oil on canvas board, 16" x 20"
Jugs are brown, tomatoes are red,
Oil on canvas board, 4" x 6"
Whilst I'm not disappointed with this painting, it's hardly the high water mark.
Oil on canvas board, 8" x 10"
I'm unsure of what it is that eggs me on, but I can't keep from milking the same old jokes.
Oil on canvas board, 4" x 6"
I considered painting multiple flowers, but thought it best to take one dahlia at a time.
Oil on canvas board, 12" x 16"
The hotel in the distance lodged into view.
This is a copy of a Percy Leason self portrait -- from the collection of the Castlemaine Art Museum -- that I painted as a class exercise. It was cut into eight sections, with students given the task of painting one section each, upside down, in an effort to disguise the final picture. At the end of class, each section was brought together to form the whole.
You could say this gave the picture a new Leason life.
Oil on canvas board, 16" x 20"
At the beginning this painting was a breeze, but the complexity of the subject soon became tedious. I must admit, when it comes to complexity like this, I'm not a fan.
Oil on canvas board, 16" x 20"
When I was driving towards this body of water, I knew I was heading for a fall.
Oil on canvas board, 8" x 10"