Sunday, 15 November 2015

House on Gatehouse Street, Parkville

Oil painting of a double-storey Victorian-era terrace house with trees and shrubs and a street light in the foreground.
'Tis not the gatehouse from Gatehouse Street, for you would know it by its gate.

Oil on canvas board, 8" x 10"

Saturday, 14 November 2015

Maribyrnong from Steele Creek Reserve Essendon

Oil painting of a series of small trees and buildings, with suburban houses and a communications tower in the background.
After some Google Maps research, I've discovered that the building in the foreground belongs to the Department of Defence, and the tower in the background is a mobile phone base station.  In these days of high security, authorities often take a dim view of the photographing of such structures; however, I hope they're somewhat less defensive about simple artistic interpretations (standing on a hillside with an easel for two hours is hardly a clandestine activity).

Oil on canvas board, 8" x 10"

Friday, 13 November 2015

Vibration Study

Oil painting of several trees viewed beyond the horizon line in front of a pink-grey sky.

Recently I've read a series of lectures given in the first decade of the twentieth century by L. Birge Harrison (whose wonderful tonal work I discovered through the Google Art Project), and in one particular section he mentioned the use of broken complimentary colours of equal value (tone) in order to render atmospheric vibrations.  This was a quick Friday morning experiment in said methods using an imaginary landscape (which is a thinly disguised version of the Royal Park native grassland circle) and is accompanied by an imaginary pun.

Oil on canvas board, 5" x 7"

Thursday, 12 November 2015

Still Life with Lemons and Brass Teapot

Oil painting of several lemons, a brass teapot, two bottles and a small earthenware jar.
Still life is hard, but even if you're brassed off, there's no reason to be sour.

Oil on canvas board, 20" x 16"

Wednesday, 11 November 2015

Tuesday, 10 November 2015

Monday, 9 November 2015

Plaster Cast: Female Torso

Oil painting of a female torso plaster cast beside a window.
Perhaps I used a few too many warm colours in trying to portray plaster in sunlight, but there's not much I can do about it now because the dye is cast.

Oil on canvas board, 4" x 6"

Sunday, 8 November 2015

Jageurs Lane, Parkville

Oil painting of a narrow laneway bordered by a Victorian-era house and several electricity poles.
As I was painting this scene (the laneway behind my flat), a little girl--who was passing by with her family--stopped to tell me how much she liked my painting.  I suppose this means I've got street cred.  Well, lane cred at least.

Oil on canvas board, 8" x 10"

Friday, 6 November 2015

Jar of Chillies with Blue Castor Oil Bottle

Oil painting of a jar of chillies beside a blue castor oil bottle.
A polite euphemism that springs to mind is Montezuma's revenge.

Oil on canvas board, 4" x 6"


Tuesday, 3 November 2015

View of Pipers Creek from Rosebery Hill

Oil painting of farm buildings and paddocks with tree-lined roadways and distant rolling hills.
A lovely afternoon painting paddocks in the sunshine.  You could say I had a field day.

Oil on canvas board, 10" x 8"

Monday, 2 November 2015

Old Stable with Tasmanian Blue Gum and Atlantic Cedar at Rosebery Hill, Pipers Creek

This was actually my second choice of scene for the day: the earlier spot was abandoned after I disturbed a particularly large fanged-reptile in the nearby grass.  It's a shame really, as the previous location offered a wonderful sense of scale.

Oil on canvas board, 10" x 8"

Sunday, 1 November 2015

Self Portrait

Oil painting of a middle-aged bald man.
An obsession with self is one of many poor traits.

Oil on canvas board, 6" x 8"

Saturday, 31 October 2015

Old Stable at Rosebery Hill, Pipers Creek

Oil painting of a steep-pitched red-rooved shed surrounded by trees and shrubs.
My parents' vegetable garden is depicted in front of this former stable.  It provides part of their stable diet.

Oil on canvas board, 10" x 8"

Friday, 30 October 2015

Copper Kettle

Oil painting of an antique copper kettle with a green background.
In fine fettle I settled down to test my mettle painting a metal kettle.

Oil on canvas board, 4" x 6"

Wednesday, 28 October 2015

Tuesday, 27 October 2015

Nectarine with Vase

Oil painting of a Chinese-style blue and white vase with gold-coloured decoration next to a nectarine.
According to Wikipedia, the nectarine, a smooth-skinned variety of peach, originated and was first cultivated in China.  Likewise, this vase also appears to have originated in China, though I can only vouch for its origins in a Brunswick charity shop.

Oil on canvas board, 4" x 6"

Monday, 26 October 2015

Carrot with Silver-Plated Jug

Oil painting of an orange carrot beside a small silver-plated jug.
This is certainly not the first time I've painted this jug, nor is it rare for me to choose a carrot as subject matter.  In fact, a certain former Australian Government Minister and one-time Midnight Oil singer is named after a recurring root vegetable: Repeater Carrot.

Oil on canvas board, 6" x 4"

Friday, 23 October 2015

Tomato with Copper Jug

Oil painting of a small copper jug beside a tomato.
Once upon a time we heard things on the vine (admittedly grape rather than tomato) or down the copper wire.

Oil on canvas board, 6" x 4"

Thursday, 22 October 2015

Still Life with Plastic Roses

Oil painting of white, yellow and red roses in a blue vase, with a smaller vase and white rose below.
If the past tense of arise is arose, why isn't the present tense of rose rise?

Oil on canvas board, 16" x 20"

Wednesday, 21 October 2015