A little memento to take away from the recent Victorian Artists' Society paintout: I wanted to bring home the beacon.
Oil on plywood, 9" x 5"
Daily painting exercises in tonal realism since February 2013; adorned with terrible puns since 2014.
A little memento to take away from the recent Victorian Artists' Society paintout: I wanted to bring home the beacon.
Oil on plywood, 9" x 5"
For as long as I remain at a high vantage point, I'm constantly on the lookout.
Oil on canvas board, 8" x 10"
To paint this scene, I had to lower the Barham somewhat.
Oil on plywood, 9" x 5"
P.S. It would have been better to have raised the bar as this will be one of my entries in this year's VAS 9 x 5 Exhibition.
This is a quick sketch from the first day of the most recent Victorian Artists' Society paint-out weekend. After a long drive, I was perhaps a wee bit distracted -- I biddled whilst foam churned.
To prepare this scene it was necessary to corral a pair and a half of pears. To paint it, I had to concentrate so as not to lose my bottle.
Oil on canvas board, 8" x 10"
I started this painting over a week ago and ran out of time to finish. As such, I had to replace the persimmon because the original one had ripened to the point that it was persimmona non grata. The stand-in was a make-sift solution.
Oil on canvas board, 8" x 10"
Quincy Stones was a persimmon of significance in the music industry
Oil on canvas board, 8" x 10"
P.S. This started life as a quick demo for one of my recent workshops; I found it yesterday and quite liked it, so recreated the scene in order to complete it.