Whilst I'm not disappointed with this painting, it's hardly the high water mark.
Oil on canvas board, 8" x 10"
Daily painting exercises in tonal realism since February 2013; adorned with terrible puns since 2014.
Whilst I'm not disappointed with this painting, it's hardly the high water mark.
Oil on canvas board, 8" x 10"
I'm unsure of what it is that eggs me on, but I can't keep from milking the same old jokes.
Oil on canvas board, 4" x 6"
I considered painting multiple flowers, but thought it best to take one dahlia at a time.
Oil on canvas board, 12" x 16"
The hotel in the distance lodged into view.
This is a copy of a Percy Leason self portrait -- from the collection of the Castlemaine Art Museum -- that I painted as a class exercise. It was cut into eight sections, with students given the task of painting one section each, upside down, in an effort to disguise the final picture. At the end of class, each section was brought together to form the whole.
You could say this gave the picture a new Leason life.
Oil on canvas board, 16" x 20"
At the beginning this painting was a breeze, but the complexity of the subject soon became tedious. I must admit, when it comes to complexity like this, I'm not a fan.
Oil on canvas board, 16" x 20"
When I was driving towards this body of water, I knew I was heading for a fall.
Oil on canvas board, 8" x 10"
Towel puns are a particularly dry form of humour.
Oil on canvas board, 20" x 24"
P.S. Incidentally, this is the largest painting I've done for over three decades (32 years ago I did one over four times the size -- I might have to work back up to that).
Unfortunately I had a limited period to paint this subject -- if time had allowed more rose, perhaps I wouldn't feel so morose.
Oil on canvas board, 8" x 10"
This painting started life (pun intended, of course) as a student demo. As morbid as the subject may be, it's a great way to work on painting skulls.
Oil on canvas board, 8" x 10"
Talbots Lane works a bit like an "I am human" checkbox -- it's used to tell bots from humans.
Oil on canvas board, 12" x 16"
The mental game of realist painting always involves a certain amount of tilting at windmills
Oil on canvas board, 8" x 10"
It was difficult to name this piece because, visually, it has a number of competing priorities: will the viewer buy a lemon, stare down a barrel or pick a bone-handle knife?
Oil on canvas board, 16" x 20"
Including books in a still life painting is hardly a novel idea; or is it?