Monday, 10 October 2016

Sunday, 9 October 2016

Garlic Bulb with Chilli Jar

Oil painting of a glass jar of dried chillies beside a garlic bulb.
There once was a bulb and a jar,
And each wished to play the guitar.
But as neither had fingers
A certain doubt seemed to linger
Of finding the right repertoire.

Oil on canvas board, 4" x 6"

Wednesday, 5 October 2016

Onion with Sauce Jug

Oil painting of a brown onion beside a blue porcelain sauce jug.
The pickled onion had been on the sauce.

Oil on canvas board, 4" x 6"

Tuesday, 4 October 2016

Sunday, 2 October 2016

Manna Gums beside Pipers Creek Tributary

Oil painting of two manna gums beside a creek with distant hills.
This scene appears tranquil despite the blustery conditions under which it was executed.  My father suggested the difficult circumstances might potentially lead to a blow par painting; if this is true, I'll simply declare it a draft.

Oil on canvas board, 8" x 10"

Saturday, 1 October 2016

Old Stables at Rosebery Hill, Pipers Creek

Oil painting of an old shed with a red roof, viewed across the reflective water of a dam.
Following heavy spring rains, the main dam at my parents' farm has been steadily filling almost to the point of overflowing.  However, as the water has approached the shed in the picture, it seems to have stablised.

Oil on canvas board, 8" x 10"

Friday, 30 September 2016

Garden Featuring Atlantic Cedar at Rosebery Hill, Pipers Creek

Oil painting of a garden including flowers and cedar trees.
Despite the apparent sunshine, my painting activities had to be abandoned due to an unexpected deluge.  As such, it might be compared to Charles I of England: while one had his reign cut short, the other was cut short by rain.

Oil on canvas board, 8" x 10"

Monday, 26 September 2016

Apple in My Left Hand

Oil painting of the top of an apple held in a hand.
One bad apple in the hand spoils two in the bushel.

Oil on canvas board, 4" x 6"

Sunday, 25 September 2016

Alfred Crescent, North Fitzroy

Oil painting of several double-story Victorian-era buildings on a semi-circular street with parked cars.
'Twas rather pleasant on the crescent where the light was iridescent but its beauty evanescent.

Oil on canvas board, 10" x 8"

Saturday, 24 September 2016

Sacred Heart Catholic Church, Carlton

Oil painting of a red-brick domed church tower in front of a blue sky.
I saw this church tower and thought to myself, aisle paint that.

Oil on canvas board, 8" x 10"

Wednesday, 21 September 2016

Banana with Copper Pot

Oil painting of a banana beside a small copper pot.
Be wary of stepping on banana peels or you may come a copper.

Oil on canvas board, 6" x 4"

P. S. Something seemed familiar about this image, and a quick dip into the archives revealed this: Copper Pot with Banana.  In the immortal words of Britney Spears, oops, I did it again.

Tuesday, 20 September 2016

Egg on Vase

The surgical removal of all or part of a gland is an add-an-egg-to-me, whilst the surgical procedure for male sterilisation is a vase-egg-to-me.

Oil on canvas board, 4" x 6"

Sunday, 18 September 2016

Teapot

Oil painting of a white porcelain teapot.
Every time I attempt to paint this teapot, I'm reminded that it's particularly difficult.  It's a strained exercise that drives me up the spout.

Oil on canvas board, 6" x 4"

Wednesday, 14 September 2016

Tuesday, 13 September 2016

Mandarine with Earthenware Jar

Oil painting of a mandarine beside and earthenware jar lying on its side.
A jar turned on its side is a tip jar, whilst a mandarine adhering to its expected orientation is an orange order.

Oil on canvas board, 6" x 4"

Monday, 12 September 2016

Sunday, 11 September 2016

Tomato with Jug

Oil painting of a red tomato beside a blue and white porcelain jug.
From my jug-head to-matoes.

Oil on canvas board, 4" x 6"

Wednesday, 7 September 2016

Tuesday, 6 September 2016

Milk Jug with Onion

Oil painting of a white porcelain milk jug beside a brown onion.
The skin that forms on top of milk is known as lactoderm (or at least that's what Wikipedia tells me), whilst biologists apparently refer to onion skin as a tunic.  That I rely on the internet for facts proves that my knowledge is only skin deep.

Oil on canvas board, 6" x 4"

Saturday, 6 August 2016

Rue Saint-Séverin, Paris

Oil painting of a male figure walking in a narrow and partially sunlit street surrounded by shops.
Dear neglected blog,

Although I have devoted some time to painting on my two-month European holiday (including a wonderful week-long workshop with Julian Merrow-Smith), there's been little worth posting, and this latest update is no exception except I thought it was high time I added something.

This is a very quick sketch done from the balcony of my Rue Saint-Séverin hotel in the Latin Quarter of Paris.  I can't help but wonder if a Latin quarter should be expressed as I divided by IV or perhaps five solidi (one quarter of a libra).  The latter is a pun about a currency which is no longer current.

Oil on canvas board, 8" x 10"