To paint this scene, I duct below the bridge.
Oil on canvas board, 10" x 12"
Daily painting exercises in tonal realism since February 2013; adorned with terrible puns since 2014.
This work is very much in the style of my recent paintings -- I elected to tread ware-ily and not give cores for concern.
Oil on canvas board, 8" x 10"
After emptying the claret jug at a pub, I muttered a small prayer to the god of the onions: as I waved goodbye to the publican, I said "Thank shallot".
Oil on canvas board, 16" x 20"
Oil on canvas board, 16" x 20"
The name of the road didn't quite live up to its promise -- Metcow Road is perhaps more apt.
Oil on canvas board, 8" x 10"
When I bought this pitcher recently, the receipt described the colour as red. Whilst I think we can unquestionably say the tomatoes are red, I'm not so sure about the pitcher -- to paint it I used a lot of Cadmium Orange. Therefore, I'm going to declare the pitcher to be orange. You can take it as read.
Oil on canvas board, 16" x 20"
With just under three-and-a-half hours to complete this study, it's proof that to make haste makes waist(coat).
Oil on canvas board, 16" x 20"
Whenever I go painting with friends, there's a certain amount of discussion, concerning location, that takes place prior. As such, this particular choice required a bit of Forde planning.
Oil on canvas board, 8" x 10"
Shauntai is an accomplished singer and composer, and for our group, she ably demonstrated the pose in compose.
Oil on canvas board, 12" x 16"
As a realist painter, my aim for this piece was to render the subject more-or-less true to lifeguard.
Oil on canvas board, 16" x 20"
When embarking on a new painting, I'm never sure if the result will be apples or a complete fizzer.
Oil on canvas board, 12" x 16"
I bought this frying pan with the primary intention of painting it, but I had to pay a small premium because it's supposedly in working order. I would, however, have been perfectly happy with an appliance that matched my preferred humour: deadpan.
Oil on canvas board, 16" x 20"
Observant viewers might note that this is the same model and pose I painted three weeks ago, but from a different angle. Like last time, I'm not sure what tradition this represents except that, having painted the same scene twice, it might possibly mark the beginning of a Tim-honoured tradition.
If this was an attempt to paint a pot-boiler, I failed -- having watched this kettle for several hours, I can confirm that it did not stir. The idiom is the core of the issue rather than the apples.
This is primarily a painting about old bottles (and executing it was quite a battle with the bottles) interspersed with random acts of rindness.
Oil on canvas board, 16" x 20"
I'm not entirely sure which tradition this represents only that it has something to do with oranges; perhaps we should simply appreciate the scene and not indulge in too much navel gazing.
Oil on canvas board, 16" x 20"
The model who'd been booked didn't show, so thankfully Lucy from the VAS was able to fill in at the last minute. It was, however, necessary to pull a few strings.
Oil on canvas board, 16" x 20"