Both pumpkin and ladle (these particular specimens) appeared in a painting from earlier this year; their reappearance is partly due to my love of gourd and the fact I'm a bit of a ladles man.
Oil on canvas board, 20" x 24"
Daily painting exercises in tonal realism since February 2013; adorned with terrible puns since 2014.
Both pumpkin and ladle (these particular specimens) appeared in a painting from earlier this year; their reappearance is partly due to my love of gourd and the fact I'm a bit of a ladles man.
Oil on canvas board, 20" x 24"
A little memento to take away from the recent Victorian Artists' Society paintout: I wanted to bring home the beacon.
Oil on plywood, 9" x 5"
For as long as I remain at a high vantage point, I'm constantly on the lookout.
Oil on canvas board, 8" x 10"
To paint this scene, I had to lower the Barham somewhat.
Oil on plywood, 9" x 5"
P.S. It would have been better to have raised the bar as this will be one of my entries in this year's VAS 9 x 5 Exhibition.
This is a quick sketch from the first day of the most recent Victorian Artists' Society paint-out weekend. After a long drive, I was perhaps a wee bit distracted -- I biddled whilst foam churned.
To prepare this scene it was necessary to corral a pair and a half of pears. To paint it, I had to concentrate so as not to lose my bottle.
Oil on canvas board, 8" x 10"
I started this painting over a week ago and ran out of time to finish. As such, I had to replace the persimmon because the original one had ripened to the point that it was persimmona non grata. The stand-in was a make-sift solution.
Oil on canvas board, 8" x 10"
Quincy Stones was a persimmon of significance in the music industry
Oil on canvas board, 8" x 10"
P.S. This started life as a quick demo for one of my recent workshops; I found it yesterday and quite liked it, so recreated the scene in order to complete it.
Painting is one percent quince-spiration and ninety-nine percent persimmon-spiration.
Oil on canvas board, 12" x 16"
To truly paint something you have to get into the mind of the object; therefore, if you think like a stone(ware), it's a piece of pith.
Oil on canvas board, 12" x 16"
I've painted this small copper jug many, many times, which reminds me of the old saying, little and often fills the persimmon.
Oil on canvas board, 6" x 4"
Oil on canvas board, 8" x 10"
Not much to offer in the way of a pun I'm afraid, just this lane excuse for word play.
Oil on canvas board, 12" x 16"
Bananas contain high levels of tryptophan which can apparently help with a small case of the blues.
Oil on canvas board, 12" x 16"
This natural light painting was a bit of a challenge -- I had to find a compromise somewhere between painting the light falling on the pumpkin and maintaining the bright orange colour. I'm not sure it quite worked, but I wonder if I should have stuck at it until midnight when it might have turned into a pumpkin all by itself.
Oil on canvas board, 16" x 20"